| www.scratch.com | scratch news | interview | exercises | May 2004 | Vol. 1 #6 |
 
 

 


 
We're sorry it has been so long since our last issue of The Loop, but we've had a lot going on around Scratch. Here's some of what's coming up...

· The latest news on Scratch. This issue, learn about new course offerings including our Summer Sessions for out of town students.

· An in-depth interview with Excess of Stylus Wars, and ITF world scratching champion

·
A scratching speed development trick given by DJ Excess


Only newsletter subscribers will have access to these interviews and DJ exercises – they are not available on the site, however, please feel free to forward it to friends who would be interested! Thanks again for all your support as we try to bring the DJ community education and access!






 

 
Scratch Launches Summer Sessions

  This summer, Scratch is offering Summer Sessions where out of town students will have the chance to come to the Academy and take either DJ 101, DJ 151, DJ 202 or DJ 303 during a 1-week intensive period. While Scratch will not be able to provide housing, we can refer you to hotels in the area for the week.

Teachers will include GrandWizzard Theodore, Grandmaster Caz (Cold Crush Brothers), I.Emerge, Neil Armstrong, Jahi Sundance, Luv Bug Starski and more.

Summer Sessions are now open for registration, but spots are starting to fill up. The classes will feature copy written curriculum, over 40 sets of turntables and celebrity and professional DJ instructors. You can apply directly online, or if you have questions, feel free to email us for more info at theloop@scratch.com or call 212-529-1599 ext. 5

Learn more about the Summer Sessions




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Scratch: DJ Excess, when did you decide that DJing is what you wanted to do?

Excess: Around senior year of high school I started interning at Logic Records which counted as school credit. During that time I was spinning House more than Hip-Hop but around that time I saw the D.M.C. 95 Worlds where Raida won, and I knew I wanted to pursue the art-form more.

Scratch: What were some of your inspirations for becoming a DJ?

Excess: I was always into music. I played keys when I was younger but never really got too into it. Then in high school I started playing guitar and I was in the chorus group so I was always into music, but as soon as I saw that 95 video I knew there were tons of possibilities with Djing and scratching. Also watching local crews like Fifth Platoon and the X-Ecutioners and the Piklz definitely influenced my desire to get to the next level.

Scratch: That’s cool. So how did you initially learn? How did your skills develop to the point that they are now? Did you watch tapes? How much did you practice?

Excess: I pretty much learned from watching my boy Impulse in high school spin. He was doing local parties around the way so I would just watch and study and then head back to the lab and attempt to do what I just studied. We would also practice a lot together so we were always trying to learn new cuts and juggle patterns. Also practicing with Doboy from the Fifth Platoon back in the day, got me thinking about scratching differently with different ways to learn and apply techniques. I definitely kept up with the tapes when I was younger but now I try to come up with new stuff by just thinking stuff out more. When I was younger I would practice about 6 hours a day, but I slowly realized that if I just concentrated and worked on one thing seriously every time I practiced, it would benefit my learning process. You always have to remember that practice makes permanent – not perfect. Some people out there may practice more than another person but they may be learning and acquiring bad habits during that time./font>

Scratch: How did you get involved with Scratch DJ Academy?

Excess: I started teaching at Scratch Academy by I-Emerge introducing me to Dave and the other faculty there. Merge knew that I was running and teaching at the Turntable Essence Dj Program at the School of Audio Engineering in Miami along with Dj Jase, so when I got back into New York to focus more on my Styluswars record label, he suggested that I come through and check out the school.

Scratch: Dope. Where do you see yourself and the art of DJing going to 10 years from now?

Excess: I pretty much see myself more involved with the music production aspect of it. I try to stay versatile in all aspects of music whether it be playing live instruments, producing scratch tracks or producing beats and music in a conventional way. No matter what though, I know scratching is always going to be influential in my music.

Scratch: What would you say is your crowning moment so far in your career?

Excess: In terms of battling, winning the I.T.F. Western Hemisphere Scratching and U.S. Finals titles in 2000. As for my overall musical career, I’m not really sure. I just feel really blessed to be involved with great musicians like Toadstyle, Gunkhole, and a bunch of others I’m failing to mention who are putting out music that’s really going pave the way for the scratch scene and the music industry in general.

Scratch: What is one of your worst moments in your career?

Excess: The worst moment must have been falling through the stage at the 98 I.T.F. Categories. That was my first battle and I felt mad embarrassed when I fell, but it’s all good cause I don’t think anyone has it one video. If someone does though, definitely get in contact with me cause it would be a trip to see that again.

Scratch: Wow. What advice do you have for our readers who are just getting started?

Excess: First and foremost, you have to really have fun and enjoy what you’re doing. No matter how much you practice and try to learn, if you don’t have a true love for what you’re doing, you won’t be able to accomplish too much. Also, try to listen to various types of music, cause you’ll really start hearing different elements musically that may be influential to your learning process and music production.

Scratch: Lastly, for all our readers out there working on their scratching, what is one tip/method that helped you when you first started out with your scratching?

Excess: When it comes to scratching, make sure to learn a certain technique from a slow speed and then progress to faster variations. A lot of students I see would really try to do too much because they think speed is the key, but speed always develops through time. If you understand a scratch technically through its motions and sound, your speed will progress later. Always practice the technique of a scratch when you’re learning it, at slower speeds for muscle memory and always make sure you’re achieving the right sound of the cut.

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This week, we start out with tips covering one of the most important DJ concepts: Beats Per Minute (BPM). In order to blend effectively, DJs must first master the ability to gauge a record’s BPM.



Beginner’s Tip: Measuring Beats Per Minute (BPM)

1. Get a stop watch and a turntable to play your record.
2. Play the record
3. Start the stop watch as soon as the record begins
4. Count the beats until the stop watch reaches 30 seconds.
5. Double the number of beats and you’ll have the record’s BPM!

It is recommended that beginner DJs write down the BPM on the record and then line up the records in their crate, from slowest to fastest tempo, so as to have a better idea of which records can blend together.

Knowing the BPM of a record also helps you identify how much you need to pitch up or down in order to mix, on beat, with another record. For example, if you are trying to mix out of a song playing at 92 BPM on one turntable, find another record that has a BPM rate that is relative to it, and cue it up on the second turntable. If you find a song that plays at 88 BPM, then simply pitch the record up about 2-4%, and cue it in on the one. From there, blend away!



Advanced Tip: Blending Records to the Radio

1. Get a radio and a turntable to play your record
2. Turn on the radio to a station that plays the same type of music as your record
3. Practice pitching the record up and down to match the beats of the record to the radio

This exercise is a good way for a DJ to practice his or her ear, reacting quickly to a song instead of knowing the BPMs of the next record that would be put on. Many of the DJs now that rock the clubs used this technique to improve their skills.



In coming months, we will be incorporating video/flash demonstrations for exercises and want to address questions about DJ skills that you have. If there are skills that you’d like to learn about in particular, please let us know at theloop@scratch.com and we’ll try to get you an answer!

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