HAPPY HOLIDAYS from Scratch DJ Academy. Our New Year’s resolution is to get you a copy of the Loop newsletter on a monthly basis.  In this month’s issue, check out what’s new in and around the Academy.  In between designing a new class and opening up our first Scratch DJ Academy outside of New York City, we were also able to catch up with one of NYC’s biggest club DJs, Max Glazer. Take a look:
     

LEARN TO PRODUCE YOUR OWN BEATS 
Scratch DJ Academy is now offering a 6-week course designed specifically for those who want to learn the basics of production.  Beat Making 101 will focus on the essentials of programs like Reason and Ableton Live 4.0.  Each student will have access to his or her own workstation equipped with an Alienware Ozma m laptop.  At the conclusion of the course, each student will leave with a disc of at least 6 original beats.  Learn More>>


SCRATCH OPENS IN LOS ANGELES
For all of you located on the west coast, we’re finally bringing Scratch to you.  Scratch DJ Academy - LA is launching its first semester on January 15, 2005.  The school will feature the same copywritten curriculum and courses as New York City, taught by celebrity LA instructors. Find Out More>>

 
WINTER CLASSES ARE FILLING UP  
Now is the perfect time to get started or to keep working on your turntable skills.  NYC's 2005 Winter Term begins on Saturday, January 8.  We are now accepting enrollment for DJ 101, 151, INT, 202, and 303.  Register Now!>>




DJ Max Glazer

Scratch: When and how did you get into DJ'ing?

MG: I basically got into DJ’ing as a hobby. I have a very short attention span and could never listen through an entire album, so I figured this way, I could just play/listen to whatever I wanted, whenever I wanted. It wasn't really a conscious decision to become a DJ until much later, and by then, it wasn't even really a decision, because I was already DJ’ing for a living.

Scratch: How old were you when you started?

MG: I was around 16 when I first started DJ'ing.

Scratch: How did you learn?

MG: I didn't know any other DJs so it was hard getting started out…wasn't really anyone to learn from. I just sort of had to make it up as I went— trial and error.

Scratch: Did you go to shows?

MG: Well, I grew up in upstate NY and there weren't any shows to go to. Every once in a while I'd get into the city and check shows, but it was rare.

Scratch: What did you do to get better?

MG: Just really practicing in the bedroom, then a house party here and there. Like I said, never took it seriously until I was a good deal older and had moved to the city. It was then that I took any opportunity to DJ anytime, anywhere that I could. I really learned how to be a club DJ by opening up for Doo Wop. I learned a lot from watching how he rocked a crowd. At the same time I started going to a lot of clubs, listening to Funkmaster Flex, S & S, Clark Kent—that generation of DJs who could really rock a crowd.


Scratch: Speaking of playing in the city, what are your favorite spots to play?

MG: I mean, over the years, I've always loved playing at Speeed, because it’s just real grimy—no dress code and people are really there to party. Everything else is not so much spots, as specific parties. Spa on Tuesday nights was one of those parties that I used to love DJ'ing.

Scratch: How much do you feed off the crowd when you're playing?

MG: 100%. For me, as a club DJ, it's all about the crowd. Not what I wanna hear or what my boys wanna hear. It's all about the people in the crowd having a good time, and being able to figure out what you can play that's gonna make them have the best time possible.

Scratch: How about worldwide? I know you've toured all over. Any favorite spots around the globe?

MG: Yeah, I love playing in Jamaica... the vibe and the energy down there is crazy. It's also a challenge, because the crowds down there are tough on the DJs. London is great and Japan is always off the hook.

Scratch: Having been in the DJ game for years, what would you tell people who are just getting into this art form?

MG: First off, you really have to be doing it because you love music and love DJ'ing because it's not all fun and games. It's a great job, but it's a lot of work—late nights, no sleep, a lot of carrying crates. If you really love it, you just gotta get out there and make connections. It's really political, so you have to know the right people or you're not gonna get much work…and of course, be on point with the skills—that's a given, but that's definitely not all it takes.

Scratch: In the past, you've written for magazines like The Source and Vibe. What else do you do outside of DJ'ing?

MG: I've pretty much retired from writing, but aside from DJ'ing, I do A&R for Sequence, an indie label. I'm learning a lot of the business side of things—publishing, licensing, etc. I've also been working on production with my federation crew—Disco D, Kenny Meez and Curly Locks. Me, Disco D, and Cipha Sounds produced a remix of Pharell and Jay-Z's "Frontin" which featured Vybz Kartel and Wayne Marshall. We've done a lot of underground dancehall remixes, so we're working on crossing that over into the mainstream.

Scratch: Has your work been well received?

MG: Yeah, we've gotten nothing but good feedback on all of the stuff, so now just trying to make the move into some original productions, even some songwriting.

Scratch: Seems like the natural next step for many accomplished DJs like yourself.

MG: Yeah, I mean, I never wanna stop DJ'ing, because I love it but at the same time, gotta diversify, as long as you enjoy it.

Scratch:Do you have a website? How can people get more info about what you are doing?

MG: www.djmaxglazer.com


Hardware powered by



SCRATCH DJ ACADEMY

434 Sixth Avenue, 2nd Floor, New York, NY 10011, 212.529.1599
www.SCRATCH.com | info@scratch.com